Putting the Body on Paper and Fabric: Reflections on Communication, Image, and Embroidery

Authors

  • Malely Linares Sánchez Universidad Autónoma de Zacatecas
  • Sandra Ivette González Ruiz FES Acatlán

DOI:

https://doi.org/10.29092/uacm.v23i60.1252

Keywords:

Body and communication, feminist visual practices, feminist embroidery, feminist photography, feminist autoetnography

Abstract

Describing the body from a feminist perspective entails a theoretical, political and epistemological journey that has been central to feminist theory, research and activism. Drawing on communication studies, we resume the expressive and symbolic dimensions of the body to analyze, from a situated, feminist, and autoethnographic approach, how it is configured as a communicative vehicle in visual practices. Based on the textile project “embroidering to heal” and the community photography experience with Mujeres por la Memoria de Cherán (Women for Memory of Cherán), we show that feminist embroidery and photography operate as devices for naming pain, producing embodied memories, weaving networks of care and challenging hegemonic narratives about women’s bodies.

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Author Biographies

  • Malely Linares Sánchez, Universidad Autónoma de Zacatecas

    Docente-investigadora de tiempo completo en la Universidad Autónoma de Zacatecas y miembro del Sistema Nacional de Investigadores, nivel I. 

  • Sandra Ivette González Ruiz, FES Acatlán

    Profesora de la licenciatura en Comunicación de la FES Acatlán, México y miembro del Sistema Nacional de Investigadores. 

References

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Published

2026-03-09

How to Cite

Putting the Body on Paper and Fabric: Reflections on Communication, Image, and Embroidery. (2026). Andamios, Revista De Investigación Social, 23(60), 117-148. https://doi.org/10.29092/uacm.v23i60.1252