El artista dionisíaco en la filosofía tardía de Nietzsche y su relación con la psicología de Féré
DOI:
https://doi.org/10.29092/uacm.v15i37.639Keywords:
Estética, dionisíaco, inducción psicomotriz, Féré, psicofisiológico.Abstract
En este trabajo presento una interpretación acerca de la concepción estética nietzscheana comprendida en los fragmentos póstumos correspondientes a los cuadernos W II 2 y W II,5 y en las Incursiones de un intempestivo 8, 9 y 10 pertenecientes al Crepúsculo de los ídolos . Sin la lectura de dichos póstumos, uno no podría elaborar una comprensión completa de estos aforismos contenidos en Crepúsculo de los ídolos . Asimismo, analizo la influencia que tuvo la obra de Féré sobre la concepción tardía de Nietzsche acerca del arte. De esta manera, realizo una comparación entre los póstumos y los aforismos del Crepúsculo con la teoría de la inducción psicomotriz de Féré desarrollada en su libro Sensation et mouvement.
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